William Sterling

An introduction to the music section

The Royal Citole or Gittern was probably originally made for King Edward I or King Edward II around 1300 and is elaborately carved with the sort of scenes of everyday life found in Books of Hours. There is a Centaur hunting, a peasant chopping wood, another thrashing acorns from the trees for his pigs and the original rabbit with the caught in headlights look as an arrow hurtles towards it. The end is carved as a magnificent dragon. There is also the coat of arms on it of Queen Elizabeth I and her favourite Robert Dudley, Earl of Leicester, suggesting that its conversion to a violin was done for Elizabeth to use as a gift when she visited the earl at his castle in Warwickshire. Image © Trustees of the British Museum
My earliest memory of music making was conducting the school band mostly consisting of percussion instruments with our teacher, Mrs Distin, filling in the melody and harmony on the piano. I had to announce to the audience of parents and friends that we were about to play "Minuet in G by John Sebastian Bach". My proud mother took a photo of me conducting which I believe my sister has in the family album. I was five years old. Read more »

SPOTLIGHT: Music

Joseph Haydn

Haydn and the English Although it happened late in his life Haydn’s association with the English had a huge impact on his music not least the 12 Symphonies, chamber and piano music he wrote for his two visits but his discovery of Handel’s oratorios on those visits had an enormous impact on his later choral… Read more »

Johannes Brahms

Brahms and Bruch This was a comparative study of the two greatest German instrumental and choral composers of their day whose reputations have not fared equally well. Johannes Brahms and Max Bruch were two of the most celebrated composers in late nineteenth century Germany. Bruch predicted that his fame would fade as Brahms’s grew. Although… Read more »

Ethel Smyth

Dame Ethel Smyth, Composer and Suffragette The remarkable life of a pioneer of women composers in Britain. All six of her operas were performed in her lifetime and her March of the Women was the battle cry of the Suffragettes. The course followed Ethel Smyth’s remarkable career from conventional middle class background through her musical… Read more »

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