William Sterling

An introduction to the music section

The Royal Citole or Gittern was probably originally made for King Edward I or King Edward II around 1300 and is elaborately carved with the sort of scenes of everyday life found in Books of Hours. There is a Centaur hunting, a peasant chopping wood, another thrashing acorns from the trees for his pigs and the original rabbit with the caught in headlights look as an arrow hurtles towards it. The end is carved as a magnificent dragon. There is also the coat of arms on it of Queen Elizabeth I and her favourite Robert Dudley, Earl of Leicester, suggesting that its conversion to a violin was done for Elizabeth to use as a gift when she visited the earl at his castle in Warwickshire. Image © Trustees of the British Museum
My earliest memory of music making was conducting the school band mostly consisting of percussion instruments with our teacher, Mrs Distin, filling in the melody and harmony on the piano. I had to announce to the audience of parents and friends that we were about to play "Minuet in G by John Sebastian Bach". My proud mother took a photo of me conducting which I believe my sister has in the family album. I was five years old. Read more »

SPOTLIGHT: Music

Modest Mussorgsky

The Mighty Handful The lives and music of Balakirev, Cui, Borodin, Mussorgsky and Rimsky-Korsakov examining how they came together and how their careers overlapped. In 1867 the critic Stasov wrote a review of the Pan-Slav concert organised by Mily Balakirev: “God grant that our Slavonic guests may never forget today’s concert; God grant that they… Read more »

Maurice Ravel

Unravelling Ravel A study of his life and music and that of his contemporaries. Maurice Ravel was a very private man who wrote some of the best-loved music of the twentieth century although he always dismissed Bolero as merely an academic exercise – but then he never saw Torvill and Dean. Works studied include Pavane pour… Read more »

Mrs Eleanor Purce

From 1976 to 1980 I had piano lessons from Eleanor Purce at Keele University.  She had been a pupil of the great Alfred Cortot and as his writing on music did not include his method she decided to write her own version of how she taught based on the wisdom he passed on to her. … Read more »

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